![]() Nausicaä leads her people to help the earth heal and her boldness is epic inspiration for environmental activists. Experimenting in her secret arboretum, she discovers that poisonous plants are cleansing the soil they grow in, paving the way for nature to rejuvenate itself. You have to go a long way to see animations in which a girl takes the lead to Japan, in fact. Princess Nausicaä is the only one with the patience to search for an alternative. The film’s antagonists are planning to release a biochemical weapon to scorch the toxic jungle that prevents humans from rebuilding society - a pretty questionable environmental policy when their civilisation originally crumbled during a human-provoked Armageddon. In Nausicaä of the Valley of the Wind, the world is post-apocalyptic and largely uninhabitable. Throughout, the films of Studio Ghibli posit respect for the planet as fundamental to survival. Their simple friendship symbolises the harmony of a balanced relationship between people and the environment. Satsuki offers Totoro an umbrella during a rainstorm, and he gives her seeds in return, which sprout into budding green shoots. The character draws on Shintoism, a Japanese belief system that revolves around ‘kami’ - guardian spirits said to inhabit all elements of the natural world. ![]() He sleeps in a sacred camphor tree and his roars summon great gusts of wind, yet he's also a cute, cuddly friend to sisters Satsuki and Mei. Totoro is the forest’s protector, both mighty and benevolent. At least 60,000 people are awaiting the game’s release on the video game platform Steam, and it’s among the top. On Thursday the world will get its hands on the result of his studio’s blood, sweat and tears for the past three years: the video game Cult of The Lamb. Hayao Miyazaki imbues the film’s rolling fields and dappled woods with a vivid, childlike wonder. It’s a big week for Melbourne-based video game designer Julian Wilton. My Neighbour Totorois a charming, eco-friendly fable set in a more peaceful world. Princess Mononoke’s violence paints a grim picture of nature dying at the hands of an arrogant human army, intent on harvesting its beauty as fuel. The film’s verdant green forests and towering, primordial mountains are gorgeously rendered. Princess Mononoke breaks the complexities of the climate crisis down to a simple cause and effect: when the people of Irontown threaten the environment, nature self-destructs, and everyone suffers. Wounded by a bullet, boar god Nago mutates into a demon oozing a toxic pollutant that contaminates the film’s hero with a deadly curse. By clearing the forest to make way for industrialisation, the villagers threaten the environment’s equilibrium. The film is epic in scope, depicting a brutal war between the gunsmiths of Irontown and the gods of the surrounding mountains. Among the iconic Studio Ghibli movies released on Netflix in March, Princess Mononoke is perhaps Hayao Miyazaki’s best known film, and his most vehement critique of pollution and urbanisation.
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